快好知 kuaihz


fill light造句
(1) That way, any shadows cast by the fill light won't be visible from the camera's perspective, so it won't matter if these appear hard (due to a small source). (2) Less fill light is often used for dark, "low key" style portraits with well-defined shadows. (3) A good starting point is typically one part fill light for every two parts main light (denoted as a 1:2 ratio), but this will also depend on where your fill light has been located. (4) Similarly, more fill light might be necessary to render a brighter "high key" style, or just to provide a softer appearance (such as with a photograph of a baby). (5) Move your feet, fill light into the earth and think, "Light...". (6) The Fill light makes visible parts of the model which are completely in darkness with the Key and Back light only. (7) All scenes have some amount of fill light — regardless of whether this has been added intentionally. (8) Example on right uses a fill light ratio of 1:2 (fill:sunlight) with an on-camera flash. (9) Many therefore use a fill light which strikes their subject from a direction which partially opposes the main light ("off-axis"). (10) For example, a value of 1:4 means that the fill light is a quarter the intensity of the main light. (11) Perhaps the most common lighting scenario is to use an on-camera flash as the fill light, and sunlight as the main light. (12) The numbers are sometimes also reversed, but the smaller number always refers to the fill light. (13) The reflection is dimmer than the main light, so reflectors are most commonly used as a fill light. (14) Light from the main source bounces off walls and other objects, which collectively acts as a fill light. (15) This tutorial therefore focuses on how to control the location and intensity of the fill light in order to produce a desired portrait appearance. (16) At this stage I will also check the histogram for clipped shadows and blown highlights and if necessary add some Fill Light and/or Recovery. (17) However, off-axis fill has its own disadvantages, with perhaps the worst being that one now has to worry about the appearance of shadows from the fill light. (18) The foamcore board should be positioned at about the same place as the fill light in the above diagram. (19) My light setup included four lights: two lights at high intensity for the rim light, one key light, and one ambient fill light. (20) "Quick fix" options were crop and rotate, blemish removal, red-eye removal, auto correct, and sharpen. Tuning options were white balance, exposure, highlight, fill light, saturation, and soft focus.